Volume 2, No. 1, 2009, 1430 H
Articles in Arabic
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Women Songs
The aim of this research paper is to scrutinize the
traditional songs of women in Jordan by reviewing their
themes, functions, and structures poetically, melodically,
and rhythmically (as well as the way they are acted out),
so as to spot out their main artistic features.
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Mohammed Ghawanmeh
JJA,
2009, 2(1),
1-36
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To Analyze the Theatrical Situation
in Jordan through the Concept of the
Theatrical Movement and Repertoire
The first part of this study deals with the concept
of the Theatrical Movement, as well as the conditions
necessary for it to evolve in a particular place. It also
relates the concepts of the Theatrical repertoire and
Theoretical Season to the Theatrical Movement.
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Moayad Hamzeh
JJA,
2009,
2(1),
37-47
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Color Psychological Indications Among a
Parents in the Model ׳ Sample of Students
The study aims to uncover the color
parents ׳ indications among a sample of students
in the model school of Yarmouk University.
׳ The study population consists of all students
parents in the model school in the academic
year 2006 - 2007.
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Ma`moun Al-Momani
JJA,
2009,
2(1),
49-69
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The Literature of Experience in the
Theatrical Writing
(Western Theater Model)
The current research paper collects and
analyzes samples of documents relevant to dramatic
writing, and motivation of experimentation in text or
theoretical drama thinking. It also sheds light on the
origins of the theory (in current social and applied
sciences)
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‘Mohamad Khair’ Al-Refai,
JJA,
2009,
2(1),
71-81
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Some of The Modern Technological
Ways Used In The Religious Song of The
Arabic Child Composed in Arabic Moods
( Maqamat)
The present research paper starts off with an
s ׳ introduction about the effects of music on child
life. Channeled through religious music and songs
recorded on and transmitted through modern means
of technology
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Shereen A.latif
JJA,
2009,
2(1),
83-107
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Article in English
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Why Did the Arabs Not Know the Theatre in the Western Sense
until the Mid-Nineteenth Century?
This study aims to examining and investigating the
lake of knowledge of western- ׳ reasons behind Arabs
sense theatre and the reasons behind the absence of
this art in their culture. The Arabs had no idea about
this art until mid-nineteenth century when the Arab
Lebanese merchant, Maroun Alnakash, got squinted
with it.
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Mekhled .N.B.al-Zyoud
JJA,
2009, 2(1),
109-119
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