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  Volume 14, No. 3, September 2022, Safar 1444 H

 

Doi: 10.47012/14.3

 
 

 

Learner’s Attitude towards Effectiveness of Teaching Methodologies and Challenges of Foreign Language Learning in Jordan

 

Renata Asali-van der Wal, Renad Al-Momani

 

 

Multimodal Portrayal of Joko Widodo on Tempo's Cover Story: A Multimodal Critical Discourse Analysis



Zakie Asidiky, Eva Tuckyta Sari Sujatna, Inu Isnaeni Sidiq, Nani Darmayanti

 

 

Influence of Symmetry Theory on Understanding the Qur'anic Ayas

 

Ayman Yasin, Aiman E. Al-Rawajfeh, Ibtisam Hussein 

 

 

Lenition in Kuwaiti Arabic: an Optimality Theory Approach
 

 

Dhari AlOtaibi, Shamlan D. AlQenaie, Soonhyuck Park

 

 

An Analysis of Learners’ Needs of Arabic as a Foreign Language at
Jordanian Universities

 

 

 

Najwa Khasawneh

 

 

L’Identité de Don Juan : De l’Origine Historique à la Tragi-Comédie, Chez Molière et Eric-Emmanuel Schmitt

 

 

Mayssa Abduljaleel Masyab, Bashar Sami Yashooa

 

 

Reading History across Space: The Room of Theories as a Web
of Multiple Times in Don DeLillo’s Libra

 


 

Soumaya Bouacida

 

 

Les Deux Rois et les Deux Labyrinthes de Borges : Lutte entre
deux visions du monde
 

 

 

Majida Sayegh

 

 

Disguise, Downclassing, and Social Invisibility in Shakespeare’s
Measure for Measure and King Lear


 

 

Ali Alnawaiseh, Anoud Al-Tarawneh

 

 

Females’ Objectification of Others in Eugene O’Neill’s Strange
Interlude
and Desire Under the Elms

 

 

 

Zainab Hameed Tarish, Zaidah Bt Zainal, Norhanim Bte Abdul Samat

 

 

The Diasporic Experience in Mira Jacob’s The Sleepwalkers Guide to Dancing: Assimilation, Memory, and Mourning
 

 

Jameel Alghaberi, Sanjay Mukherjee

 

 

Depression as a Philosophical Conscience in Haruki Murakami’s
Kafka on the Shore

 

 

Aya Akkawi, Muneer Al-Alawneh

 

The Stories Trees Tell: Jad El Hage’s The Myrtle Tree and Sinan
Antoon’s The Corpse Washer

 

 

 

Bouchra Sadouni, Yousef Abu Amrieh

 

 

Inférence et Schéma Actanciel dans la Lecture d’un Récit Bref
 

 

 

Jihene Beji

 

 

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